Post-Impressionism.  In align with the trend of offering greater comfort, menswear ‘relaxed into wide, easy cuts’.  For both men and women, silhouettes were increasingly exaggerated with the establishment of curvaceous shapes pointing to an obvious rejection of previous Neoclassical geometric style. Hair was curled on top and taken into a bun at the back.  Heavily starched collars on shirts were worn high and stiff-standing, with turned down wingtips.  By the latter half of mid-nineteenth century it becomes clear that fashion technologies revolutionised the designs of particularly womenswear fashion with cage crinoline enabling a larger but more lightweight hoop skirt. The Fashion of the 19th Century strongly reflected the technology, art, politics and culture of the time of which were highly influential to the styles and silhouettes. Jun 25th, 2020 / BY Kerry Erlanger. The skirt was floor length with a slight train. For women, fashion was an extravagant and extroverted display of the female silhouette with corset pinched waistlines, bustling full-skirts that flowed in and out of trend and decoratively embellished gowns. Several layers of petticoats with frilled hems, sometimes of horsehair, were worn to support the full skirts. Retrieved September 10, 2020 from http://www.bbc.co.uk/legacies/work/wales/w_mid/article_3.shtml, Finocchio, R. (2004). The coat still finished in long tails at the back but was cut higher in front. The stout cottons, nankeen and drill, were still used for summer wear, although they were less common after the middle of the century. This fashion plate from 'Ladies' magazine of 1801 shows the characteristic high waistline of the time. This ideological art movement ‘sought to convey a truthful and objective vision of contemporary life’. Small hats decorated with birds and feathers and artificial flowers were fashionable. (2016). In the 1860s the skirt was very full and worn over a cage crinoline, a petticoat supported by a frame of steel hoops that held it away from the legs. The skirts were straight and finished at mid-thigh or below.  These styles featured seamless waists, streamlined skirts and a slow move away from restrictive corsetry, much more practical than the conventional attire. Corsets continued to be worn. E.249-1955. National Innovation Systems: Britain. The front of the coat was square cut. Women adopted a simple and rather masculine-looking shirt, jacket and skirt for day wear. (2004). The nineteenth century marks the period beginning January 1, 1801 and ends December 31, 1900. Some men wore corsets as well! Often a ringlet was brought forward over the shoulder as a finishing touch. , By mid-nineteenth century people were settling into the normal routine of life as shaped by the changes and innovations that came with the First Industrial Revolution.  Menswear began to have a significant influence on women’s clothing with masculine styles and tailoring becoming increasingly popular, women sometimes wore a shirt collar and tie, particularly when exercising. A master dressmaker and designer, Emile Pingat (c. 1820-1901) was among the elite Paris couturiers of his age, who dressed the wealthiest and most sophisticated of clients in the fashion capital of the world. The 1870s to 1880s introduced styles that revealed the natural silhouette. The coat still finished in long tails at the back but was cut higher in front. ... and the multiple petticoats worn to achieve the bell shape that was popular in the mid-19th century.